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Classical segregator or savior? The case for Q2, WQXR’s online “living composers” channel

Hallowed New York City classical radio station WQXR’s “Q2” channel is now well over three years old. I am a big fan of the service. It is one of the few places in the classical music radiosphere in the United States where you can consistently listen to a high quality stream of contemporary classical music […]

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Commercial classical radio: a long view

After reading our story about the end of a commercial classical music radio station in North  Carolina, Fred Krock sent us this reflection on his career working in radio. I began working for a major market commercial classical music station in 1953. All major markets and many smaller markets had a commercial classical music station […]

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Former KTRU Frequency, Classical 91.7, Cuts Local Hosts

On Thursday, Culture Map Houston broke the news that Houston classical public radio station KUHA had laid off 8 full-time staffers and was replacing local programming with syndicated classical music content from Classical 24. Culture Map speculates that the University of Houston-licensed station is struggling after its purchase of the 91.7 FM license from Rice […]

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Santa Barbara classical radio in peril

Santa Barbara, California’s eight decades old classical radio signal KDB 93.7 FM is up for auction. The Santa Barbara Foundation, which owns the license, has voted to sell it off. The Foundation’s principals say that the operation has run up big deficits that the non-profit cannot afford. “Unfortunately, despite the on-air pleas we made during […]

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Classical Radio Station Deals Hint at Consolidation in Public Radio

A lengthy article on The Deal Pipeline outlines some of the recent public radio transactions involving classical music radio stations in particular. For those of us who have monitored the deals mentioned in the piece, it’s a fascinating overview of what seems like increasing consolidation in public radio. Of interest to me, since I have […]

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Hybrid Highbrow: the history of a forgotten radio format

Many years ago I invented a phrase for a peculiar kind of radio format: “Hybrid Highbrow.” I cooked up the term to describe listener supported KPFA in Berkeley, California, which in the 1950s broadcast classical music, opera, jazz, and folk music in the spirit with which Matthew Arnold understood “culture” in his book Culture and […]

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